Blurred Identities: The Threepenny Opera between Stage-Play, Musical and Film

John Gay’s popular 1728 play The Beggar’s Opera drew on the conventions of drama, ballads, and opera. Two centuries later, in Germany, his play was adapted into the new medium of film in the form of the Threepenny Opera. Judith Wiemers (Queen’s University Belfast) traces the shifting relations between theatre, music and film in her essay in the new issue of Postgraduate English. This […]